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(mathias sager – Psychology & Art)

Hello Mathias! Tell us a few words about yourself. What does a typical day look? Do you just do art, or is art just part of the picture?

Hello! Thank you very much for having me! I’m an artist, although I’m a psychologist too. I’ve decided to work part-time to dedicate sufficient time to art, painting, and related writing. During my job in a youth home as a work/learning coach, I also enjoy introducing and motivating young people to the unlimited possibilities of art, which is an insight and experience that I consider essential for personal development. In everyday life in my residential studio, I can’t wait to get up and immerse myself in the inspiring environment of finished and works in progress, their forms, colors, and meaning. This doesn’t necessarily mean early mornings, as I often paint deep into the night following intuition and inspiration as they come and flow. That way, art is always present in my daily life as a means of self-expression and empowerment of others.

Was there a pivotal moment when you decided to follow your path as an artist?

Yes. The pivotal point was when I was driving by a little homeless girl in the streets of Mumbai, India, during a business trip. The girl was about the same age as my daughter. As we looked each other in the eyes, I could no longer stand my relatively ignorant and wasteful lifestyle as a businessman. Instead, I felt to have to dedicate my life to more meaningful activities. A bit later, I lost my daughter through gatekeeping and parental alienation, representing a loss that couldn’t be worse. This cemented my pursuit of creating (painting and writing) for a more just and peaceful world. I was later able to travel to India again, this time as a psychologist and artist on a social mission. Art is a means to staying connected with my beloved daughter, the street girl in Mumbai, and all humanity. I feel satisfyingly obliged to do what I do, I see meaning in it, and it makes me happy that art always offers new opportunities to learn and teach. In this sense, it was not a decision in the sense of a career decision to become a painter, but a logical and constantly evolving consequence of cultivating the belief in the necessity and possibility of visualizing the invisible and being able to manifest positive changes. Now, after more than seven years of consistent and dedicated work, I think a professional artist’s identity has started to crystallize in a way that hopefully helps my mission going forward too.

Tell us about your artwork, medium, style, subject matter etc.

The outer world can be photographed; the inner world I have to paint. I’m capturing inner pictures and dream- and vision-like forms and ambiances that often seem to lack precision, although they are worked out into details just enough to hint at what could be meant. Acrylic paints are my medium of choice as they allow me to overpaint and layer quicker to get rough surfaces and create structures. I like to use not only brushes but to press, scratch, grind, and polish with any objects like sticks, sculpting toys, sponges, and whatever I find in my atelier. Harmonic expression through appealing forms, their distribution, and intense coloring is essential to me, as is the choice of diverse formats to capture this aesthetic. Human contours often appear on my art, sometimes even emerging in unexpected ways during the process. This isn’t surprising, though, as my psychology and art always revolve around the topic of developing human potential.

You’ve lived in Tokyo and also in Pune/India. How much is your art influenced by travel, and different cultures?

After leaving my home country permanently for so many years, I had consciously and unconsciously radically forgotten my social identity. I recognized the random and relative nature of the particular cultures into which we were born. A more global mindset than ever has certainly contributed to a diversity of my thinking and, consequently, to subjects and painting styles. From a technical point of view, learning to write Japanese characters has influenced my love for characters and shapes. Since Kanjis are often pictographic representations of objects and meanings, they have further inspired and trained my sense of symbolism. From India I have a deep love for earthy and bright colors; think spices, textiles, landscapes.

You say psychology and art belong together. Tell me more about that connection, and your process of making an artwork.

For me, art situates between science and intuition, intellect and emotion. Mostly, my creations start with thought patterns that arise from (self-)reflection. I visually process these into a piece of art, and eventually, I become the emotionally reacting and revising spectator of the work. The purpose of my psychology is less the pursuit of a conventional notion of happiness than the one of a more profound sense of meaning. That is why the fascination of ingenuity beyond mere “decorative” beauty is important to me. Art helps me to clarify and imagine a meaningfully courageous world of social criticism and renewal, to find the true self, unconditional love and the connection with all of humanity. I hope to inspire many more with the combination of psycho-philosophical texts with paintings for individual well-being and the common good.

Which artist of the past would you most like to meet, and why?

I enjoy the works and admire the lives of many artists of the past and present, but I refuse to be influenced by others; it would be contradictory to the unlearning of social conditioning that I promote. I want to show my true self, not my educated self. I want to be universally human and not a disciple of any particular doctrine. Many artists I’d be most interested in possibly didn’t become famous enough to be discoverable. At the same time, I’m not sure if it is always a good sign for the famous artists to have been selected to fit into the history books of wars, humanitarian crises, and ongoing environmental degradation. While I’m optimistic regarding human potential, it often appears that the world didn’t become a healthier, happier, and more peaceful place so far. I’d like to meet future artists who not only contribute to a revamp of capitalism but who do increase awareness of true humanism. Nevertheless, if I could go back and meet an artist of the past, I would meet somebody like young artist Adolf Hitler and try to help him through the difficult times of his ruined dream to become a professional artist as he saw it after repeated rejection by modern art institutions. As a result, he lived in frustration and self-doubt and out of need to survive as an artist in cheap apartments and even homeless shelters. If he had felt worthy, accepted and capable despite the rejection of others, he may have continued to paint Mother Mary with the Holy Child, quiet houses on lakes with mountains and seek peaceful creativity instead of following destructive external power and confirmation as the dictator of the Nazi regime.

Share some interesting facts about your art with us.

As I do with Zen Shiatsu massages, for example, energy is put into the work. That’s why the originality of every piece is important to me. Every painting contains a spirit. Interestingly, people who acquired my paintings often stay in contact with me, and as they travel the artworks travel with them and the positive energy expands too.

Could you expand on your concept of ‘Awareness Intelligence’?

Today’s scientific and popular notion of social intelligence is still limited to “me” and “we.” As I published in my psychology dissertation, I’ve systematically added the extra-personal level of ‘they, all humanity’ to a coherent framework combining all social/human connectedness levels to all modes of time (the past, present, and future). The socio-temporal spot(s) our thinking mostly orients towards creates our worldview that has significant psychological and behavioral implications. Most of today’s problems stem from a lack of awareness related to the extra-future, i.e., the consistent thinking about how we connect to all humanity and the future. This may sound logical and easy; however, to truly making the extra-personal future to one’s purposeful identity requires the ability to abandon much of the desire for (material) security, giving up the need for approval from others, and radically accepting our very own mortality, respectively, our true essence that is the soul. More detailed explanations and illustrations about the concept, applications, and benefits of Awareness Intelligence can be found on my blog www.mathias-sager.com.

Are there any upcoming shows or workshops we should know about?

Art is inherent to the services I offer as a psychologist and vice versa. I always welcome people in my atelier for self-reflection and painting experiences. In terms of shows and projects, I’m currently preparing for a contribution to the book ‘Artists Anthology. Contemporary Art 2021: Madrid Edition.’ which will be presented at the Fine Arts Circule in Madrid to clients, artists, art galleries, and cultural institutions on October 15th, 2021. Copies of the ISBN registered book will be deposited in the National Library of Spain. Also, I got invited to exhibit chosen works at the ‘M.A.D.S. contemporary physical gallery’ in Milano in February/March (on the topic of ‘Gaia’), including a multimedia-setup, digital channels, live streaming, and reportage with critical reviews and catalog of the exhibition.

Do you see your art as serving a purpose beyond art?

Absolutely, as it hopefully became evident from my previous answers. Art is the most serious thing in the world, albeit business is often seen as such. As I understand it, art is about finding the true meaning of life and a deeper sense of existence, exploring the true and visible beauty of nature, and uncovering hidden potential and imagining ill-considered possibilities. Suddenly, not the overarching relevance of art but the ‘scarce resources’ game of (commercial) institutions appears to be trivial. It was never organizations that really started to change the world for the better, but rather individuals who bravely and artfully came forward to question the current state of affairs.

What are you currently working on, and what is next for you?

I’m working on becoming stronger, more self-sufficient, and radiating the change I want to see as a role model myself. On that journey, I’ve experienced that inspiration never fails to show up precisely in the right moment. Therefore, I haven’t planned anything else than staying dedicated, listening/watching and expressing in my art what’s showing up inside. I know exactly my direction towards making a significant difference for a healthier and more peaceful world (individually and collectively), but not the exact path leading there. I trust that the dots will connect at some point going forward, be it during or after my lifetime.

  • Beautiful work, Mathias. Now I’d like to say, I go out and about with my camera because I listen to my soul. 🙂
    Wishing you a great start in the new week,
    Dina

  • If they don’t have numbers in the photo gallery, does that mean they were sold?
    Is there a place to view the photo gallery with a bigger screen?

    I really like the RGB panels and the human interaction pieces, like the crowd and hola salsa.
    But I find myself wanting to stare at the cave walk and kanji II. There is something special in them.
    I will just have to stare for a few hours and try to figure out why I’m drawn to them. Or not figure it out and just enjoy the staring.

    • Hi, Elaine. Many thanks for asking and feedback. I kept most of the paintings as I want them to stay available for pictures and exhibitions. So, there is no meaning to missing numbering. I won’t reproduce any of the paintings as life and creation are developing. The panels are related to phases in my life and therefore linkable to unique texts and processes too.
      It’s nice to hear that you like some of them. Unfortunately, the gallery seems to be impossible to expand. I hope that scrolling manually through the painting pages is a feasible option too. If you continue to see more in the paintings and even like them (although they are not especially decorative or beautiful mostly;-)), we should check the possibility of spiritual kinship:-). Have a great day and all the best

      • You are definitely wrong about the ‘decorative or beautiful’ qualities of your work. Really though, either of those two things are probably not that important anyways. Your work possesses them, and so much more; including me. A nicely drawn picture doesn’t conjure up powerful, emotional responses. But yours do; as I’m sure you are aware, because your body was clearly possessed by your soul during their creation.

      • I didn’t want to fish for compliments. But thanks anyway, and thanks for your inspiration. Indeed, I share your view. For me, painting is a holistic form of expression; it’s intellectual, physical, emotional and spiritual. Actually, the end result doesn’t matter, sometimes the outcome should even be omitted to allow the message transcend without limitations. Is that the higher level painting you are practicing?:-)
        Today I was pulled to paint something that, I cannot help, wants to be meant to be input to our interaction. Will show you when it’s complete and still corresponding.

      • But you are right on the spiritual kinship. Moreover, you are me, and I am you; just as we are all one with every one and every living thing in this world. Maybe a little more so with you than others though. 🙂 I’m very grateful to have found your site amongst the sea of blogs. Your words aren’t just a carbon copy of my thoughts. More like life giving carbon for my future thoughts, as it compels me to think on a different plane and pull thoughts from far reaching spaces.
        Sorry, I just call it how I see it, unfiltered and unreserved. I’m sure there are plenty of negative things about your art, words, philosophy, etc.
        May I continue reading your blog long enough to find the balance. For now, I hope you enjoy pedestals.

      • With your involvement, you are actually co-creating. Thanks a lot. I’m grateful for you continuing providing creative energy respectively fertilizing the blossom to create a common fruit:-)

  • You have some beautiful work there! Is there any particular brand of water mixable oils that you would recommend? I currently work in slow drying acrylics, which are well suited to my dabbling in portrait painting. I would like to get into water mixable oils at some point.

    I especially like your Dripstone Cave Walk, and Land of the Rising Sun.

    • Thank you, Paul! Nice to hear you like some of the paintings. I am painting with Winsor & Newton water mixable colors. They are professional artist colors. I just saw yesterday in my art supply shop that have now also similar colors by Holbein. Do you not show your paintings on your blog?